Category Archives: Marketing yourself

Storytelling Your Author Brand

June 7, 2011 Marketing yourself No Comments

by Diane Holmes, Marketing-Zone: Marketing Yourself and Your Book

This is the fourth in a series on Author Branding. Previous articles include:
1. Author Branding vs. an Army of Writers
2. The Author’s Branding Manifesto
3. The Gleam in Your Author Brand (Brand Building Technique #1)

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Stories at Work

The branding, marketing, and blogging world is all atwitter with the idea of storytelling as a way of communicating brand. This isn’t a new idea.

Look at non-fiction books. Many of these authors have personal stories that directly led to the creation of the content in that book. The passion for the topic has a personal meaning to the author and a place in his or her life-narrative.

That’s story, my friend!

Fiction writers, on the other hand, don’t usually have the same luxury of “my personal story” led to “this story about solving crimes in a New England town.”

What goes into Your Personal Story… if you don’t have one?

We’re used to a “Story that Sells” coming from the facts of someone’s life, the WHAT HAPPENED. But there are some other ways of looking at story that may be even more helpful.

Brand Building Technique #2:Your Story Is More Than Events and Facts

Check out these alternative ways to uncover your story. Click the links for great resources.

In your writing and your life, there is something that speaks to you, and that same thing speaks to your reader. Make that your story.

It already brings you together. Name it. Tell it. Be it.

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Diane Holmes Crop 1Diane writes two columns for Freelance-Zone: Fiction-Zone: Leaps in Fiction Mastery and Marketing-Zone:Marketing-Zone: Marketing Yourself and Your Book.

She’s the Founder and Chief Alchemist of Pitch University – “Learn to pitch your book from the AGENTS and EDITORS who make their living at it. Learn. Pitch. Sell.”

The Gleam in Your Author Brand

by Diane Holmes, Marketing Yourself and Your Book

Imagine that a reader sees your new book at the bookstore.  Instantly, there’s a gleam in her eye. 

She’ll reach for your latest book, but in the fraction of a second before she can reach out, extend her arm, press her fingers against the cover, there is just the gleam.  That gleam is your brand.

I love to read

(If you don’t write books, just substitute your type of writing.)

The beauty of thinking about your brand in this way is that it’s obvious that your brand is not one book.  Instead, it’s about a recognition in the reader’s mind, an excitement and delight and opinion about you as an author.

It may be based solely on the previous books you’ve written.  Or it may also include information collected about other “aspects of you.” But whatever the specific details, it has created what Kathryn Lorenzen, Creativity Coach, calls a “Hell, yes!” in the reader’s mind. 

Before the reader can process the thought, “Hey, I’d like to find out more about that book,” her brain made the leap to, “Hell, yes, want that, awesome.”  Or some set of concepts that equaled an immediate gleam in her eye and movement of her hand toward the book.

That’s what you want, right?  Readers whose immediate response is,”I”m so lucky!” because they’ve seen that your next book is out

Brand Building Technique #1:Your Book’s Delight Factor

Step #1:  You are standing in front of the latest book by your favorite author.  There’s a gleam in your eye.  Why?

Run through this exercise for several authors you love.  Get a feel for how you respond to different aspects and different authors with excitement.  Try fiction and non-fiction authors. You get that “Hell, yes,” but for very different reasons.

Step #2: Your reader is standing in front of your book, gleam in her eye, hand extended.  STOP.  Freeze that moment.

A) What is inside your book that has triggered that gleam?  What are the reader’s expectations that have contributed to the gleam? Just make your best guesses and make a list.

B) Compare that list to what captured your imagination about the project and what kept you excited as you wrote the book.  There should be some differences.  The point of doing this step is to make sure you’re not just capturing what appeals to you.

C) Do this exercise for the book you’re currently writing, your previously published books, and any unpublished books you hope will be part of your career.

If you write widely, you’ll want to do a separate round for each project.  But if your books are similar in topic, tone, and sensibility, you can probably capture the Delight Factor by grouping them.

Did you find the gleam?  We’ll build on this exercise next tine. Remember, Brand can be way more than your book, more than all your books combined.

But this is a great starting place.  So start.  Even if an author brand seems a foreign and dubious topic, you have to admit you want that gleam   You know you do.

This is the third in a series on Author Branding.  Previous articles include:
#1 Author Branding vs. an Army of Writers
#2 The Author’s Branding Manifesto

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Diane Holmes Crop 1Diane writes two columns for Freelance-Zone: Fiction-Zone: Leaps in Fiction Mastery and Marketing-Zone: Marketing-Zone: Marketing Yourself and Your Book.

She’s the Founder and Chief Alchemist of Pitch University – “Learn to pitch your book from the AGENTS and EDITORS who make their living at it.  Learn.  Pitch.  Sell.”

Postcard Marketing Giveaway

Postcard Marketing in the digital age

In an age where e-mail blasts, Twitter updates and Facebook posts are the tools of choice, could postcard marketing be a fun alternative to rely on when you need some extra attention on an event, your services or website?

Here’s a fun way to find out.

In partnership with UPrinting.com, we’re giving away 100 custom-printed postcards to the person with the most interesting idea on how they would use postcards as a way to supplement online self-promotion or PR.

How To Win 100 Custom-Printed Postcards From UPrinting.com

Submit a comment on this post with your postcard marketing idea or send your reply via e-mail to editor (at) freelance (dash) zone dot com. Please include your name, email address and a valid shipping address. We will get in touch with you about how to get your cards printed once the winner is chosen.

The winner, arbitrarily chosen by FZ founders Catherine L. Tully and Joe Wallace, gets one hundred custom printed 5 x 7 front-printed glossy cardstock postcards, which are great examples of the postcard printing services offered by UPrinting.com.

Can postcard marketing work for your freelance business? Here’s a no-risk way to find out…

The fine print–this giveaway is sponsored by UPrinting, no monetary compensation was given and Freelance-Zone.com received free postcard printing as part of this giveaway. For more information about postcards, please visit UPrinting online printing services. This contest is limited to US citizens 18 years of age or older.

7 Negative Responses To Your Book Pitch & How To Avoid Them: Part 7

A warm welcome back for Diane Holmes, with the last entry on her 7 part series about pitching…and for today we have…

#7 “Listening to you is like Herding Cats.”

Translation: “What?  Wait,  No, over there and there and there.  Yeah–   But–  I don’t under–  Un-huh.  I think–  Okay, start over from–  Wha–?”

Reality:  While books are complex and unfold over many pages, pitches are elegant and illuminate the unique aspect that makes you want to dive into those pages.  1,000 cats vs. 1 cat.

It’s good to be passionate about your book, but you still need to present your book’s hook with logical links from one idea to another.  And ultimately, you need to demonstrate that your book can be matched to an audience beyond you (aka interest the person you’re pitching to).

Solution:  Think of the editor or agent as your audience.  Bring your audience with you as you pitch by understanding what he or she already knows, thinks, and feels about your book’s subject and genre. Start there, then talk them through your book’s hook, building information logically.

If your novel is about a world in which magical beings named Linkers are tied to human souls, don’t start with, “Linker Mai-su just loves what she does and she loves all mankind and she’s their only hope.  Souls are really these vortexes and everyone has one except for a few.  And they’re really world-makers and really powerful, but that’s not Mai-su.  And….” Continue reading 7 Negative Responses To Your Book Pitch & How To Avoid Them: Part 7

The Author’s Branding Manifesto

by Diane Holmes

Last we spoke on Author Branding, the conversation included Zombies and we hashed over whether “brand” is actually a curse word in disguise.

Brand ourselves?  (All together now….)  Like products?!  You mean come up with a way to sum up our uniqueness?

Brand Heaven and Hell Picture by David Armano

And yet if I ask you if all writers are alike and can all write the same thing,  there’s not a writer reading this column who won’t argue that we’re each original, have individual voices, and are not in any way interchangeable.  (I think there’s a marketing word for pointing out unique qualities…. )

Wait.  I’m pausing to see if anyone saying, “Oh noes, I’m not original at all.  I strive to be a generic author, and I’m hoping that if another writer comes along, they’ll cast me aside because (all together now), it’s not like I bring anything unique to the table.”

Crickets.  (And they’re snickering.)

A Class On Branding Just for U

Today, I want to share Dan Amano’s  video on the topic of people and brands.  He founded Brand U.0 (“you point zero”), and I have a marketing crush on him.

This talk, given at the Chicago New Media Summit in 2008, is the best 20 minutes you’ll ever spend on building a personal brand.

First minute and a half showing the difference between a logo and a brand. J And just gets better and better!

Go watch RIGHT NOW. Then come back here.

Bottom Line Takeaway:

  • Brand is not the product.
  • Having a brand does not make you a product, because brand is about your gut.
  • There’s a brand heaven and a brand hell based on how  other people experience your brand. Your brand and influence exists whether you care or not.
  • Online, personal brands happen in an organic way, celebrating niches.
  • You know you’re a web-lebrity if you have an action figure in your own image.
  • David has 5 aspects of building a personal brand.  My favorite is “Be Remarkable.” That is the essence of every writer I know. we have remarkable things to say.  We arrived remarkable, and we have a remarkable dream that doubles as a career.  Pretty darn… remarkable.
  • People who don’t create a personal brand still have them. They just don’t control them.

The Author’s Branding Manifesto

So, here’s what I want you to take away from this column on Author Branding.

  1. Writers create meaning.
  2. Branding creates meaning.
  3. This is your chance to bring meaning to your personal brand (how others see you), instead of letting someone else do it.
  4. It’s a creative act.
  5. It’s not our enemy or a curse.  It’s our finest work brought to life.
  6. And it’s the most creative thing we’ll ever do for our careers.

Note: In the video, David mentions presentations on Slide Share.  You can find them here.

This is the second in a series on Author Branding.  Previous articles include:

#1 Author Branding vs. an Army of Writers

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Diane Holmes Crop 1Diane writes two columns for Freelance-Zone:

  • Fiction-Zone: Leaps in Fiction Mastery and
  • Marketing-Zone: Marketing-Zone: Marketing Yourself and Your Book. She’s the Founder and Chief Alchemist of Pitch University – “Learn to pitch your book from the AGENTS and EDITORS who make their living at it.  Learn.  Pitch.  Sell.”

7 Negative Responses To Your Book Pitch & How To Avoid Them: Part 6

It’s time for more on book pitching with Diane Holmes….her latest is titled–

#6 “There’s a term for this encounter:  Death by Meeting.”

Translation: “This is the longest 5 minutes of my life, and it’ll never end.  The details in monotone just keep coming, and eventually someone will find my cold, dead body, because I’ll have died of boredom.”

Reality: You’re so focused on sharing every fact, every bullet point, and every footnote, you haven’t been watching the response you’re getting.  If you were, you could adjust what you’re saying, know when to stop talking, or try saying something more interesting.

Not everyone succeeds in the first sentence.  Some start out rough, adjust, and then win ‘em over!

Solution:  We’re not always the best judge of what’s interesting to others.  If you can’t get a sense all by yourself about the “excitement” factor of your pitch, you need to use your critique group, writing friend, and others to help you out.

When you practice pitching to another person, have them hold their arm parallel to the ground (in front or to the side, doesn’t matter), and then raise and lower their arm as they become more and less interested.   It’s a really simple way to understand how your message is coming across.

And it can be very encouraging to try to raise your friend’s arm.  Try out different approaches.  Tweak what you’re saying.

Diane Holmes
Diane Holmes

Diane Holmes is the Founder and Chief Alchemist behind Pitch University, an online website where writers learn to pitch from the literary agents and editors (and maybe even sell their book in the process).  http://www.pitch-university.com/

And yes, she was born in Texas.