Tag Archives: writing

What Do Those Marks Mean?

by Cynthia Clampitt

Cynthia Clampitt
Cynthia Clampitt

Quotation marks and apostrophes: what do they mean? It may seem absolutely clear to you, but it’s obvious that a lot of society is losing the concepts. In fact, in the general population, things seem to be spiraling out of control.

Quotation marks seem to be popping up with stunning and usually inappropriate frequency these days. They’re for quotations: for setting off words that were said or written by other people. Or, if you’re writing dialogue, they set off words said by characters. They are not meant to simply add emphasis.

Of course, as with most things, it’s a little more complicated than that. Instead of quoting a specific speaker, you may be quoting a vague and undefined entity—popular opinion or common usage. But the idea is that you’re relating what someone else has said or written, in contrast to what you are writing.

This second form of usage can create irony or sarcasm—you’re quoting an unnamed source to show that you are not willing to take credit for something. For example, when speaking of the “cream” served with coffee, you might use quotation marks to note that you don’t think it’s real cream, and may even know for certain that it’s not real, but someone has identified it as such. There, the quotation marks are saying, “someone said it’s cream, but I’m not saying it.” The quotation marks alert people to the fact that it’s not your idea or it’s not something you’re saying is true, and actually suggests pretty strongly that you think it’s not true.

However, in recent years, I’ve seen an explosion of signs, menus, magazine ads, product packaging, and other writing for public consumption, where the use of quotation marks borders on the incomprehensible. It has actually become difficult to find a menu that doesn’t have masses of inappropriate quotation mark usage—though generally, the fancier the restaurant and the higher the price tag, the crazier the usage of quotation marks. What is one to make of a menu that lists something like this: “Fresh” Vegetables in “Butter” Sauce “French” style. Or one might come across a packaged food that claims to contain “real” cheese. So what are they really using, if it’s not real? Or who is claiming it’s cheese?

On the whole, only words being quoted get quotation marks. However, there are a few other places they can be used and not be goofy. Among the few other correct uses of quotation marks is when you are defining a word, because you are in essence showing what the word says. For example: extol means “praise highly.”

Apostrophes are suffering a similarly misguided fate. I think most of us have seen the school buses with the signs that say “Driver’s Wanted”? I think most editors will recognize right away that the sign has made “driver” possessive, while it meant to make it plural. However, obviously someone doesn’t get it—and this is not the only way one can go wrong with apostrophes.

The apostrophe has two basic uses: making things possessive and showing where things have been left out.

I think most people get the idea about ‘s to make a noun (but never a pronoun) possessive. Singular nouns get ‘s: the teacher’s, the dog’s, James’s, Mr. Jones’s. Note that a singular noun ending in “s” still gets an ‘s. A plural noun that does not end in an s also gets an ‘s: women’s, children’s, geese’s. Plurals that end with an “s” just get the apostrophe: girls’, footballs’, churches’. About the only exceptions are some ancient names: Isis’, Moses’, Jesus’. These have traditionally been made possessive without the additional “s.”

The only exceptions to the rule about never using an apostrophe for a plural is when single letters are made plural that might look like words without an apostrophe. So if you’re talking about X, the plural is Xs, but if you’re talking about A or I, you’d put A’s or I’s, because As and Is are words, and would therefore be confusing.

Pronouns are never made possessive by means of an apostrophe. You just add the “s”: hers, ours, yours, its. If it’s a pronoun and there is an apostrophe, it’s a contraction.

As for replacing things that are left out, again, I think a lot of folks get the general concept, but there is one recurring error that makes it clear that the concept is a bit vague for some, and that is the reduction of and to n. It’s ‘n’—not ‘n or n’. The apostrophe replaces what is missing, and with and, since both the a and d are gone, you need an apostrophe on both ends.

For dates, if you’re leaving off the century, an apostrophe is used: ’01 or the ‘90s. With ‘tis, the initial i of “it is” is replaces, while in it’s, it’s the central i. (And remember —no pronoun is made possessive with an apostrophe, so its is the possessive, and it’s is the contraction of it is.) An apostrophe can represent more than one missing character— nat’l for national, for example.

An important application of using apostrophes to notify readers of missing characters is in dialogue. It is virtually impossible to reproduce colloquial speech without a solid understanding of where the apostrophes go. So this isn’t just information for newspaper reporters or sign painters.

So watch those marks. The way you use them may be saying more than you think they are.

BIO: Contributor Cynthia Clampitt is a freelance writer, food historian, and traveler. She loves history, geography, culture, literature, and language—and the place where all of these intersect. She is the author of the award-winning travel narrative, Waltzing Australia, and keeps two blogs, http://www.theworldsfare.org and http://www.waltzingaustralia.com.

About Writing Deadlines

Freelance-Zone Editor, Catherine L. Tully
Freelance-Zone Editor, Catherine L. Tully

While I could sum this up in one simple piece of advice (don’t miss a deadline–ever!), I’m not here to talk about if you should or should not make your deadlines as a writer. I’m talking about timing here…

Sometimes life hands you lemonade. You’ll get five great clients at once. They are all well-paying gigs and the work is more than you’ve had in six months. So what’s the problem?

They all want their work done at the same time.

This happens more often than you might think. Deadline drama is something that every freelancer dreads–but it’s also part of the game. If you can’t avoid this issue, then you simply must cope with it. How you do that depends on your comfort zone with tackling the work. Here are some choices:

  • Do one project at a time until they are all done. Depending on the deadline date(s), this may or may not be feasible. Still, some people work best this way, completing one task at a time…even if they have to work extra hours.
  • Stagger the workload. Say you have five projects. Do a day for each during the week, and clean up loose ends on the weekend. This way there is variety, yet you are still keeping everything in motion.
  • Load the weekend. Not an ideal plan, but if need be you can tackle a chunk of each on the weekend days. Sometimes you just have to suck it up.
  • Draft, proof, polish. In this method you will just blurt out all the rough drafts first. Then, proofread each for obvious errors, such as spelling or usage problems and formatting. Then, polish. This way you have everything done, and you can really work on making it shine if you have time left over. If not, well, at least it’s all done.

How do you handle multiple deadlines? Got any tips to share?

Individual Work Habits

by Catherine L. Tully

Catherine L. TullyEach one of us is different, therefore it would make sense that every one of us has their own unique habits when it comes to writing. Now I’m not talking about how you prefer to construct a sentence or what your favorite catch phrase is–I’m talking about work habits.

Work habits are just as tailored to the individual’s taste as writing habits are. For example, most writers have a beverage of choice that they sip on throughout the day–or turn to for a little extra pep. I’ m a La Croix (sparkling water w/ a little flavor) gal, and sometimes I’ll do a coffee too.

Where you work is also one of those “work habit” things. I spend a lot of time writing on the leather couch with my pup at my side. Occasionally I will sit at my desk, and if it’s really nice out–I’ll go to the park for a while, just to get some fresh air. I admit to a fondness for working at Panera, and a general dislike for working at the library.

But that’s me.

What else? How about how long you like to work? I do best in long clumps of time with big chunks off in-between. For example, I’ll work for 4 hours straight, then do something else for 2 or 3. This continues over the weekend as well.

Interviews will bring other work habits to light. I still use a pen and paper for mine (unless I conduct them via e-mail), and although I’d love to put the person on speakerphone, it seems to slow me down.

Others? When I get blocked, physical exercise seems to push the ideas through, and when I’m tired, I simply have to nap–or I’ll fall asleep at the keys.

My techniques, I guarantee, won’t work for everyone. I’m sure there are writers out there who can slam a Red Bull and wake up–or that take a nap and wake up with all kinds of fresh ideas. We’re all different.

What do your work habits consist of? Anything stand out as quirky or unusual? We’d love to hear from you!

When Writing Is Rough…

by Catherine L. Tully

Freelance-Zone Editor, Catherine L. Tully
Freelance-Zone Editor, Catherine L. Tully

Everyone who is in this field experiences some rough patches. Times where they are blocked, discouraged, burnt out or just plain tired. This is normal, expected and healthy–so long as you don’t get stuck there.

Every career field has its ebb and flow, so down times are nothing to worry about. But if you are stuck in a rut, fried beyond repair (or seemingly so) or feeling really funky, it may be time to shift gears. Here are a few tips for getting through those dark times and coming out on the other side, refreshed and ready to go….

  • Give up. By give up, I don’t mean quit. I mean give up on trying to power through for a while and focus on something else. Can’t write that article? Put it aside and work on marketing yourself. Don’t have another query in you? Go through your old work and try and sell some re-prints. Sometimes going forward no matter what–just doesn’t make good sense.
  • Go away. Perhaps the cure is nothing but a simple change of scenery. Do you always write at home? Go to a coffee shop for a week and see if it replenishes your drive. Take your laptop to the park and set up shop for the afternoon–and write something fun. Getting out of a rut can sometimes be as easy as changing the background.
  • Get moving. If you’ve been sitting at a desk day after day, churning out copy, perhaps you need a little physical activity. Nothing beats depression like a brisk walk or bike ride to get those endorphins churning. Try it. You’ll see.
  • Get feedback. If you’re feeling down, sometimes talking with another writer can help snap you out of your funk. We’ve all been through hard times here and there and there’s nothing like someone in the “biz” to help you get some perspective on things.

What do you do to get out of a downward spiral? Help another writer and share a tip or two!

Continental Confusion

by Cynthia Clampitt

Cynthia Clampitt
Cynthia Clampitt

Most good writers know that writing is a bit livelier if they use a variety of words, rather than just repeating the same word over and over. This is probably truest for verbs, but also applies to nouns. For example, Windy City or Big Apple might stand in for Chicago or New York. However this substituting really only works when the substitute truly parallels that which is being replaced. Problems arise when a term, name, or phrase is not completely understood.

The situation where I see this most commonly occur is in discussions of Latin America. I find that a lot of writers, and probably most of the general public, are usually a little vague on definitions when talking or writing about Latin America.

As both an editor and a general reader, I’ve seen numerous instances where the term Latin America is used interchangeably with South America. However, they’re not interchangeable. Not all of South America is Latin America, and Latin America is considerably larger than just South America.

Broadly defined, Latin America is those parts of the North and South American continents where they speak a Latin-based language. Again, that brings in another element of potential confusion. It’s not just Spanish, but also includes Portuguese and French. So one should not use “Spanish-speaking countries” in lieu of “Latin America,” because Portuguese (official language of Brazil) and French are part of the mix.

Latin America includes Mexico, which is a substantial part of North America. It also includes parts of the Caribbean, but certainly not all of it: for example, Cuba, Puerto Rico, the Dominican Republic, Haiti are part of Latin America, but English-speaking Jamaica, Nassau, or Barbados are not.

Latin America also includes most of Central America, which is not actually a separate entity; it’s just the tail end of North America. Belize, however, though it’s part of Central America, is not part of Latin America. It’s part of the British Commonwealth.

Most of South America is Latin America, but don’t use Latin America to mean South America, and don’t assume all of South America is part of Latin America. The official language of Suriname is Dutch. In Guyana, the population is of East Indian, African, Amerindian, and mixed origin, and they speak English, Guyanese Creole, or Amerindian languages. So neither is part of Latin America. French Guiana is a department of France. Like Haiti, they speak French, so they are part of Latin America, but not Hispanic America.

Actually, Hispanic is occasionally another part of the confusion. It doesn’t just mean Spanish, it means Spanish and Portuguese people, speech, and culture. So, again, “Spanish-speaking countries” would not be a good substitute for Latin America.

So when writing, regardless of the outlet, make sure you use the term Latin America correctly. It is not Spanish America. It is not South America. Lots of folks are unclear on this, but as writers, we can help clear up the confusion.

BIO: Contributor Cynthia Clampitt is a freelance writer, food historian, and traveler. She loves history, geography, culture, literature, and language—and the place where all of these intersect. She is the author of the award-winning travel narrative, Waltzing Australia, and keeps two blogs, http://www.theworldsfare.org and http://www.waltzingaustralia.com.

3 Wildly Creative Outlines for Writers

 Fiction-Zone: Leaps in Fiction Mastery by Diane Holmes, Chief Alchemist of Pitch University

But I hate outlines!

No, we’re not talking an outline with numbers and letters and 13 levels of indention.  That’s linear stuff.  It’s so old school.

We’re talking about how to harness the power of our nonlinear brains, our creativity, our sparks of inspiration and our leaps of understanding.  How do you make sense of that on paper?

By using wildly creative outlines, of course.

Mind Maps

Most of you already know about mind maps.  It’s a way of taking notes and learning, but also a way of organizing a tsunami of thought (the brainstorm) that’s visual, colorful, and full of POW.

mind map

Tony Buzan camp up with Mind Mapping in the late 1960’s, and his resources are still the best around.   How to Draw a Mind Map.  A sampling of available tools.

Timelines

A timeline is an invaluable thing for novelists as we often need to know exactly who is doing what in every, single scene, over the entire length of story-time.

timeline

In some genres, this is an incredibly complex task, as you’re juggling dozens of characters, each acting independently, over days or even years.

But even more important to the logic of a novel is to capture who KNOWS exactly what at each critical moment in time.  And often what a character thinks he or she knows isn’t even true.  So, based on events so far, what does he or she they know?

Now do that for each character in every scene AND for all the scenes that actually happen off stage.  Often characters are buy plotting against each other and the reader doesn’t see what’s happening, only the effects on down the line.

Well, the writer has to see what’s happening!  We’re not the god of our universe for nothing!

So, for this type of complexity, you need a timeline that allow you to capture overlapping data.

What makes this a creative way of outlining is the way you can visually see how things overlap while factoring in time.

  • Take a look at MIT’s open-source SIMILE widgets, specifically Timeline.
  • Documentation here.  “There is no package to download. These widgets are hosted on simile-widgets.org. All you need to do is link to them in your web page. That’s it.”

IDEA:  You probably have a website (even if you call it a blog).  Create a page that is either hidden or secured by password (very easy to do in WordPress).  Insert the Simile Timeline widget on this page.  Then go to town!

BONUS:  You can use Timelines to try out ideas and see if things work!  It’s a clever way of inserting a new idea, and then tracking the ripple effect that it generates.

The Critical Path

Are all events equally important?  Does every character and every scene hinge on each event or only some… or one?

Welcome to the concept of the Critical Path.

critical path eggs

There are thousands of events in a novel, and yet they don’t all have the same importance (weight), and that’s important to novelists.

Related to the issue of importance is “what must happen in order of this event to occur?” and “what can happen now that this event is complete?”  This is the essence of cause an effect, action and reaction.

It’s these questions that lead you to PLOT.  Plus, in novels these events also intersect with character goals, motivations, conflict, backstory, and so on.

You need to know all this.  But more importantly, you need to play with all this.

Most software that is aimed at finding the Critical Path falls under the topic of Project Management, and uses Gantt charts to visual show tasks.

excel-gantt-chart-MF_large Nothing sucks the fun out of writing more than a Gantt Chart.  And I don’t necessarily recommend this type of project software because of the learning curve.  However, if charts and columns are your thing, go for it.  (A good place to start is to grab an Excel temple.)

Instead, I recommend using your non-technical set of markers, a sense of humor, and a piece of paper.

Here are some examples for inspiration:

The Plot of The Princess Bride via MyLiteraryQuest

(see large here):

princess-bride-plot-flow-chart-hi-res

J. K. Rowling’s Plot Notes via Jacqui Murray’s WorldDreams:

handwritten plot notes

Finding your plot and critical path using a rug (with horizontal lines) and post-it notes via Jason Webster’s Blog.

postit note plotting

Free Project Management Critical Path software.

More Resources for Creative Outlines:

Mother Of All Visual and Creative Mapping Sources.

Periodic Table of Visual Organization and Maps

clip_image004Diane writes two alternating columns for Freelance-Zone:Fiction-Zone: Leaps in Fiction Mastery and Marketing-Zone:Marketing-Zone: Marketing Yourself and Your Book.