All posts by Diane Holmes

Bam! Pow! Wham! Good Pacing Causes Immediate Reaction

Fiction-Zone: Leaps in Fiction Mastery by Diane Holmes, Chief Alchemist of Pitch University

Take the Pacing Taste Test

Does your novel have good pacing?  Here’s a down-and-dirty test for finding out.

Q:  Did something happen on this page (or in this scene or chapter) that caused a character to have an immediate reaction?

One of the hallmarks of creating a compelling story is that what happens causes an immediate reaction. Cause and effect. Action and reaction.

What are immediate reactions?  They can be…

  • Emotional (feelings)
  • Physical (actions)
  • Intellectual (thoughts, conclusions, observations, revelations)
  • Verbal (dialogue)

Without a reaction of some kind to what is happening in the scene, you’re just reporting a lot of details that aren’t connected to the powerful story engine called Great Pacing.

From the reader’s point of view, “No reaction?  Must not matter.  Never mind. Zzzzzzzz.”

If your character doesn’t care, then why should we?

Readers take your word for what’s important, specifically they take your character’s word.

If there’s no immediate reaction by at least one character, not even shocked silence or a new realization, then the reader concludes that NOTHING IMPORTANT IS HAPPENING that can’t be summed up or skipped.

When your story has good pacing, you’ll find that change is afoot, characters react to what is happening, and this reaction moves the story forward.

When your story has Total Pacing Suckage, you’ll find there’s no character reaction connected to the story movement. Not a single reaction to anything on the page (even if that page is very well written).

Learn From a Master

Wolf Pass: A Novel (Mysteries & Horror)

Let’s look at an example from Wolf Pass by master storyteller Steve Thayer. I’m choosing this example for three reasons: Continue reading Bam! Pow! Wham! Good Pacing Causes Immediate Reaction

Can-do-ologist: Creating Your Own Marketing Language

by Diane Holmes, Marketing-Zone: Marketing Yourself and Your Book, founder of Pitch University.

How I found a Can-do-ologist

Okay, so I was over at Bliss Habits, minding my own business, and wham-o.  I just accidentally stumbled across (the word is procrastination, people) an amazingly cool event that is Happening. Right. Now. http://www.worldsbiggestsummit.com

The World’s Biggest Summit is a totally free conference that features 100+ teachers speaking on topics of… Health, Wealth, Spirituality, Creativity, Business.

With people like SARK, Julia Cameron, and Danielle LaPorte, we’re talking Writing and Creativity heaven, people!

As I scanned all the graphics at the very bottom (the sponsors, ‘cause I was procrastinating, as previously noted), my eye stopped on one simple graphic: Marissa Bracke: Can-do-ologist.

I was struck by the simplicity and power of making up your own marketing language that captures who you are and what you do.   Heck, I was even jealous.

One extraordinary, made-up word.

Instant understanding.

Ordinary Words Used to Create Extraordinary Meaning

Nike did it.  And they didn’t even have to invent a new word. They just put 3 simple words together and then showed  us in images and story the sheer magnificence of a human who embraces the Just Do It motto. (Nike case study here.)

If you watch the USA network, you know that what they do is showcase stories about well-written, interesting characters.  Their Characters Wanted campaign has turned into a film project and a nonprofit effort (Characters Unite) to “use your differences to make a difference.

Both of these examples show you how companies created a new language with existing words. Continue reading Can-do-ologist: Creating Your Own Marketing Language

The “Oh, Crap!” Factor: Pacing in Real Time

Fiction-Zone: Leaps in Fiction Mastery by Diane Holmes, Chief Alchemist of Pitch University

Every story needs what I call, “Oh, Crap!” scenes.  These are the scenes where things do not go as planned.  Bad things happen.  Character are in trouble.

poster-oh crap4But specifically it means at least one character now, right-this-very-minute, knows it.  There was now, when the character did not know something was bad, and now there is after, the new now.

And I’m stating the obvious (as is sometimes my job), but we’re only talking about stuff that matters to the character and the plot, right? If the bad stuff doesn’t matter then it’s really not part of the story you’re telling.

Okay, back on point, which is why what happens in the now of your story has a huge effect on pacing.  And this is where many, many writers get hung up.

So here’s the secret.

Continue reading The “Oh, Crap!” Factor: Pacing in Real Time

Be the Best: Let Your Author Brand Point Out Exactly Why You Rock

by Diane Holmes, Marketing-Zone: Marketing Yourself and Your Book, founder of Pitch University.

Have you notice that no matter how much people talk about author branding, it’s all fine until you try to create your own author brand.  Then a thick fog descends. 

Seriously, I think there are even monsters out there.

There’s a chasm between understanding all the goodness of having an Author Brand, or doing the Brand Building Techniques, and finding the brand that works for you.  That IS you.

Chasm.

So how about this:  What if your brand is simply what you do better than anyone else? 

Your skills.

Your ideas.

Your unique way of thinking.

What Are You The Best At?

Be the best

Are you the writer who combines Zombies with Teen Girls for Global Peace?

Can you tell a story backwards so that the mystery unfolds in reverse?

Do you write more historically accurate scenes of The Black Death than anyone else?

What is it that sets you apart, that makes you think, “I have to write this because no one else can say it this way?”

What about your work is so original you know this aspect has never been done before?  This type of character hasn’t been explored?  This element will surprise your readers?

Why is your writing keenly important to you? To others?

Now we’re getting to the good stuff.

1.  Seriously consider what you’re accomplishing on a broader scale by being the author of this story, this article, this book.

2.  Every author I know is writing in a way that can be described as a mission:  a mission of story telling, a mission of technique, a mission of information, a mission of some grand passion.

3.  Writers make choices about characters, plots, and subjects because of a deep interest.

All of these things (deep interest, mission, keen importance), these are signs of you wanting to Be the Best.

Identify those things and call them your brand.

After all, your readers certainly will.

This is the 11th in a series on Author Branding.
Previous articles include:
1. Author Branding vs. an Army of Writers
2. The Author’s Branding Manifesto
3. The Gleam in Your Author Brand (Brand Building Technique #1)
4. Storytelling Your Author Brand (Brand Building Technique #2)
5. Yes, Your Book Is Part of Your Brand (part 1) (Brand Building Technique #3)
6. Yes, Your Book Is Part of Your Brand (part 2) (Brand Building Technique #4)
7. Your Author Brand: What Do You Want People To Say Behind Your Back? (Brand Building Technique #5)
8.Author Branding: “The Brand Your Brand Could Smell Like.”
9. Your Power as a Writer = Your Author Brand (with Donald Maass)
10. “Writer’s Passion” As Brand (with Christopher Vogler)

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Diane Holmes Crop 1
Diane writes two columns for Freelance-Zone: Fiction-Zone: Leaps in Fiction Mastery and Marketing-Zone:Marketing-Zone: Marketing Yourself and Your Book.

She’s the Founder and Chief Alchemist of Pitch University

Free Offer: Do you need help with pacing?

Fiction-Zone: Leaps in Fiction Mastery by Diane Holmes

We’ve been talking about pacing for a few months now, and it’s time to get our hands dirty. 

get your hands dirty

Let’s put the pacing techniques we’ve learned so far into practice.

As you’ll recall, my definition of pacing goes like this:

Fresh &

Riveting

Stuff that Matters (consequences and emotions)

Happening in Real Time (even if it’s just learning about something)

That Causes Immediate Reaction

With an Unknown Outcome

That Changes the Game

For at Least One Character

And the Reader.

Enter to Win

Add a comment to this post and tell me why you’d like to work 1-on-1 with me to improve the pacing in your writing. 

Be creative. 

Woo me.

Entertain me.

Convince me your pacing is keeping you from being brilliantly published.

I’ll choose one writer who will send me 5 problem pages, and we’ll work to make it better.  Then we’ll feature the transformation in an upcoming post.

Yes, this will take a little bravery. 

But you could transform your understanding of how pacing works.  And that, my friend, is worth a million smackers.

This article is the 7th in Diane’s craft-of-fiction-writing series on Pacing:

  1. How to Be a Pacing Genius
  2. Pacing and the Thirst for Something Fresh (Blood Optional)
  3. You Can’t Look Away: Pacing & The Riveting Story
  4. Shot Through the Heart: Threat, Consequences, and Emotions Equal Pacing
  5. BONUS: Don’t Hold Back – Pacing Advice by Literary Agent Donald Maass
  6. BONUS: Using Major Turning Points – Pacing Advice by Christopher Vogler
  7. FREE OFFER
  8. The “Oh, Crap!” Factor: Pacing in Real Time
  9. Bam! Pow! Wham! Good Pacing Causes Immediate Reaction
  10. Situation Critical: Pacing’s Need for an Unknown Outcome
  11. Game Changers: Pacing, Plot Twits, and Reader Engagement
  12. Pacing that Matters: It All Comes Down to Characters
  13. Your True Opponent: Pacing’s Race to Outwit the Reader
  14. 9 Pacing Techniques, 1 Scene on Fire

Diane Holmes Crop 1Diane writes two alternating columns for Freelance-Zone:Fiction-Zone: Leaps in Fiction Mastery and Marketing-Zone:Marketing-Zone: Marketing Yourself and Your Book.

She’s the Founder and Chief Alchemist of Pitch University – “Learn to pitch your book from the AGENTS and EDITORS who make their living at it. Learn. Pitch. Sell.”

“Writer’s Passion” As Brand (with Christopher Vogler)

by Diane Holmes, Marketing-Zone: Marketing Yourself and Your Book, founder of Pitch University.

Because I’ll be attending Story Masters Conference (Houston, TX, Nov. 3 – 6, 2011), I decided to interview the three keynote masters of story craft, including Christopher Vogler, founder of StoryTech consulting.

Chris is extremely well-known for his book, The Writer’s Journey: Mythic Structure for Writers, now in its 3rd edition. And he’s worked on many well-known movies for DreamWorks, the Disney studio, Fox2000, Warner Bros, and others in their story departments.

Psst.  You can get a free chapter from his latest book, Memo from the Story Department: Secrets of Structure and Character in the post I wrote over at Pitch University: The Story Master’s Journey by Christopher Vogler (free bonus chapter!)

Everything I just told you is part of Chris’ brand.

Out of his genuine passion for the mythic roots of storytelling, he brought the power of Joseph Campbell’s Hero With a Thousand Faces to fiction writers of today.

  • He has a passion for Myth.
  • He knows where stories go wrong. 
  • He knows how to fix them. 
  • He knows how to teach this to other writers. 

This is his brand.

Simply put, he’s the person who (a) accesses mythic story archetypes and (b) transforms stories so that they (c) reach audiences in a powerful way.

What I love about using Chris as an example in this Author Branding series is that you can really see that his brand is all about him as a person, his passion, his expertise.  It’s not a marketing ploy.  It’s not a clever tagline that a marketer developed with a test audience.

And it doesn’t even matter if you’re a Hollywood exec or a writer at a conference.  You’re interested in him for the same reason.

The guy can make stories dance. 

Not with tricks.  But with mythic power. There’s nothing artificial here.  Chris followed his Bliss (to quote Joseph Campbell).  And his bliss became his brand.

One Step Further

So, I asked Christ for a couple of examples of authors who he thought did a good job of author branding.

I worked with an enterprising author named Michael Thompkins who drew on his background as a psychologist working with the Palm Springs Police Department to create a book series he branded as “The Shooting Shrink” series.

I learned a lot from prolific novelist Susan Wiggs who has created a warm, fuzzy world of communicating freely with her readers and offering them frequent glimpses of her life, travels, and working environment.

— Christopher Vogler,

 

What did Michael Thompkins do? He used his passion for psychology to brand himself and his books.  He didn’t create something artificial.  He actually likes psychology.

Here, the link if very overt.  Thompkins is an expert in his field, and his character is an expert in the same field.

But few writers have this luxury.  (Or else there’d be a lot of books where the protagonist is, herself, a writer.)

But look at how Susan Wiggs created a link between her author brand and her books.  She interacts with her readers from the same set of values (warm relationships, close ties, small town feel, family & friends) that her books celebrate. 

These are the same themes she explores in all her stories, and it’s what her readers like best in every book she writes, no matter what the protagonist’s occupation.

I would call this Susan’s passionate approach to life.  And it has become her author brand.

Michael and Susan, also, followed their bliss.

And I want this to become your True North when searching for your Author Brand.  It’s authentic.  It’s you.  And it’s born of your own internal passion.

“The privilege of a lifetime is being who you are.”

Joseph Campbell

Welcome… to being you.

This is the 10th in a series on Author Branding.
Previous articles include:
1. Author Branding vs. an Army of Writers
2. The Author’s Branding Manifesto
3. The Gleam in Your Author Brand (Brand Building Technique #1)
4. Storytelling Your Author Brand (Brand Building Technique #2)
5. Yes, Your Book Is Part of Your Brand (part 1) (Brand Building Technique #3)
6. Yes, Your Book Is Part of Your Brand (part 2) (Brand Building Technique #4)
7. Your Author Brand: What Do You Want People To Say Behind Your Back? (Brand Building Technique #5)
8.Author Branding: “The Brand Your Brand Could Smell Like.”
9. Your Power as a Writer = Your Author Brand (with Donald Maass)

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Diane Holmes Crop 1
Diane writes two columns for Freelance-Zone: Fiction-Zone: Leaps in Fiction Mastery and Marketing-Zone:Marketing-Zone: Marketing Yourself and Your Book.

She’s the Founder and Chief Alchemist of Pitch University – “Learn to pitch your book from the AGENTS and EDITORS who make their living at it. Learn. Pitch. Sell.”