by Joe Wallace
People aren’t going to like this. Especially some blogs on self-publishing, print-on-demand, and etc. And while what I am about to relate is based on preliminary research only, it does beg a couple of important questions about cost vs. convenience. Do I have the answers to those questions yet? No.
As some readers here already know, I run Turntabling.net, a blog about vinyl records, record collecting, the “vinyl lifestyle” and related topics. Recently I started a book project about strange, obscure and really weird LPs and found myself facing a dilemma. Self-publish or find a publisher?
Self-publishing these days implies an e-book. But I need hard copies to sell at conventions, record fairs and the like. In my case, knowing my potential audience well enough to know hard copies are the bigger draw, I can’t avoid the printed page.
I’m halfway finished with the book project at the time of this writing, and it occurred to me that perhaps I should look into starting an imprint for this project rather than approach a print-on-demand service. I started researching printing press companies rather than P.O.D. companies or “publish your book” websites. I looked up “printing services” on Google, and “printing presses”.
It’s true that submitting a book to a printing press requires more technical know-how and care than submitting to a middleman who you pay to help you with your book project. But I know I can handle that technical stuff–it’s about margins, PDF files and images formatted correctly. It does not seem THAT difficult with a bit of persistence and stubbornness.
My initial research results weren’t promising. I need full color pages for 101 album covers, so my costs are considerably higher than a non-graphics intensive black & white book. The stateside companies I contacted quoted me a whopping $7000 for TWO HUNDRED LOUSY COPIES! Doing the math…well, I didn’t bother. I can’t afford 7K. Print-on-demand sites weren’t much better. In some cases my full color needs were THE stumbling block.
Then I started researching offshore printing presses, and guess what? I got a $3000 quote for full color inside and out…for TWO THOUSAND COPIES. That’s 250 pages, full color, quality paper.
Imagine, fiction writers and non-fiction counterparts, how much your smaller, non-color book would cost if you had it PRINTED overseas rather than going through a stateside POD publisher. The economics of a black-n-white paperback book with standard paper? Potentially astounding.
I can’t vouch for the quality, reliability or safety of doing an overseas print order. But what I DID do was to take a few of my favorite books and see who/where they were printed. I found that books similar in format or audience to mine, done independently and in small runs, were all printed in China.
Again, I cannot vouch for any of these companies I’ve examined. Yet. But I am SERIOUSLY looking into offshoring my book to China. It’s a simple case of economic survival and I’m still not sure how I feel about it. But I have a book project that needs printing, and I know two printers who will give me two thousand books for roughly three to four thousand dollars.
What would YOU do?
Two weeks ago, I talked about the revolution in the book publishing industry. No big secret, right? Everybody knows that we are in the midst of a major shift from print to digital in the publishing industry. And everybody is speculating about what that means for the “industry” – from the big publishing houses to indie publishers to agents to best-selling authors (who are now passing on six-figure advances because they don’t want to give up their digital rights!) to self-published authors (who would probably gladly give up their digital rights for a six-figure advance!).