Tag Archives: freelancing

John Windsor on Techno-Lonliness

I read a great post just now by John Windsor on his Cultural Radar blog. Windsor made some observations about people who are so tied to their cell phones, PDA, e-mail, and instant messaging that a new phenomenon seems to be emerging. Techno-lonliness is what he calls that feeling of being cut off from the rest of the world because you can’t or aren’t allowed to access your gadgets (mid-flight, for example).

What really got my gears turning was the reply by a reader discussing the expectations of people who employ you (freelance writers, take note). For some–myself included–it’s that expectation of an editor or client who assumes instant access to you any time they want.

This can be a dilemma for those of us who are at once serious workaholics, but also want to take time to enjoy life outside of the 15-inch screens that dominate our world.  Just today I caught myself contemplating the purchase of a Palm Treo so that I could stay on Skype while out to lunch and dinner…the better to communicate with those clamoring for my freelance attentions.

At some point, you have to draw the line and say “enough!” and I think that while my intentions are noble, the Palm Treo idea is a bad one, at least for now. Circumstances may dictate otherwise at a later date, but for now I am keeping my worlds seperate. Kudos to John Windsor for a great post, and for reminding me NOT to give in to all my workaholic urges.

William Gibson’s Book Proposal for Spook Country

william-gibson.jpgWilliam Gibson is one of the world’s most renown science fiction authors. For all intents and purposes, Gibson has transcended sci-fi into a genre of his own creation much in the same way the late, great John D. MacDonald grew his own action market with his Travis McGee series. Gibson doesn’t use a central character to drive his novels the way MacDonald did with the McGee books, but the analogy still holds–both Gibson and MacDonald’s writing possess one-of-a-kind qualities often imitated, but never equalled

Gibson is a great example of how a writer survives–he’s branched out plenty with articles for Wired, spoken word appearances (including the amazing Technodon Live album by Yellow Magic Orchestra) and film screenplay credits for his work including 1995’s Johnny Mnemonic.

He’s basically a legend in his field, but even Gibson can’t just plop out a manuscript and ship it off to a publisher–he goes through the same motions other writers do, albeit with a LOT more clout. Would you be surprised to learn William Gibson submitted a proposal for his most recent book, Spook Country? It’s true.

In addition to a great interview with Gibson at Amazon.com, the same page also features this link to Gibson’s proposal for the book, fascinating reading if you’re curious to know just what it takes to capture the attention of an editor. Granted, there is no cover letter–not that Gibson needs one–and you know he’s got the editor’s attention from the second the envelope hits the desk. That said, the proposal makes for worthy reading if you can’t seem to picture what that proposal–the first introduction to the book for your editor–is all about.

If you haven’t read Spook Country yet, beware, there are some spoilers in the proposal. What is most interesting for those who know the book is how differently the proposal looks compared to the final product. Cheers to Gibson and Amazon for giving us a tiny glimpse behind the scenes.

Advertising Age on the Death of Newspapers

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Advertising Age ran a piece this week called Newspaper Death Watch. I find it quite ironic that it appeared in the print version, but the content of this article amuses me even more. It’s true that the industry is getting its collective ass kicked by internet news, RSS, mobile phone content and other factors–ad revenues are down across the board and the revenues companies find online aren’t as satisfying as the rates for a print ad in WSJ at its peak.

A look beyond the headline of this Ad Age piece reveals a practice I have loathed from the beginning of my days as a writer–the desperately sensational headline which is directly contradicted by the content of the article. For starters, the Ad Age piece quotes Jeffrey Cole, director of the Center for the Digital Future at the University of Southern California at Annenberg, who predicts the industry has twenty years left in it. Hardly a rallying call to throw in the towel. While there’s a major market correction going on in the print world, it is by no means time to call in the newsprint version of Doctor Kervorkian just yet. Continue reading Advertising Age on the Death of Newspapers

Freelance Writing Advice From CD Baby

Derek Sivers, founder of CD Baby, offers great advice for musicians at his personal site. Most of his topics are aimed squarely at musicians, but I’ve found the benefit of his experience translates quite well into the world of freelance writing.

I’ve got two albums for sale on CD Baby, so I may be a bit biased–but his piece “Never Have a Limit on Your Income” has some great words of wisdom for writers. The major drawback to being a freelancer is that you are only one person and can only take on as much work as you are physically capable of handling in a day, a week, a month.

Seasoned writers know about the power of reprints to bring in what Derek Sivers calls “mailbox money”. Any additional income you don’t have to do additional work to get is an important source of income. New writers are at a serious disadvantage because they don’t have an archive of published clips they can submit as reprints, and the challenge of hanging on to your rights to sell them later can be daunting when you don’t understand the industry well. (We’ll cover THAT topic later).

Are reprints the only way to get mailbox money? Check out what Derek Sivers has to say and you’ll find some fascinating ideas. Not all of them are appropriate for freelance writing, but they can certainly inspire some notions of your own. He certainly has MY wheels turning this morning… 

Six Signs You’re Working For A Clown Company

WTF is a “clown company”? An easy answer if you’ve ever had to write for one. For those who haven’t yet– a clown company is one that has lofty aspirations, big ideas, but absolutely no idea about how to implement them. They usually go out and hire some college grad with little experience who will work on the cheap, let them flounder around for a while, then step in and ruin everything. OR they let the college grad set up some kind of woefully inefficient system and run the operation into the ground.

Some of these disasters-waiting-to-happen are dedicated to writing products, others need writers for PR, web copy, and other material. One thing clown companies do is hire freelance writers to try and keep their costs down. That’s good for us…for a while. The problem with working for a clown company is that eventually you’ll either get stiffed in the pay department, you’ll get paid very late on a consistent basis, you’ll be asked to do more and more unreasonable things for the same money you started with, or worst of all you’ll be given an attractive offer to work full-time, or you’ll get dropped in favor of someone who can work cheaper than you.

Why is the job offer the worst part of all? Read this list of danger signs you’re working for a clown company and all will become clear:

Continue reading Six Signs You’re Working For A Clown Company

Anywired Advice For Your Home Office

anywired_header1.jpgThis great blog got my attention today thanks to a fantastic list of links, resources and advice by Skellie called Your Home Office Library: 45+ Home Office Tips, Hacks and How-Tos. This piece is packed with info on setting up, organizing, and working at home. Anywired is a blog for anyone who wants to make money online, but in this case that phrase does NOT apply to “work at home” scams or other dodgy programs.

Skellie writes for freelancers, telecommuters, web business owners, anybody currently earning a buck with a net connection. I am seriously loving this blog. I get a lot of satisfaction from any blog that knows enough about the game to put “making money” and “finding work” in two separate categories. Cheers, Skellie–you’ve got new fans here. Anywired is tops with us.