1. Can you tell readers about your writing journey and how you came to be involved with travel writing?
I worked at RCA Records for seven years in marketing and did a lot of writing there as a part of my job. When my now-wife and I started preparing to go backpacking around the world long-term, the obvious money-making paths for me seemed to be teaching English and travel writing. So I did both. The stories I got published were just a trickle at first, but over time I got more assignments and eventually I was able to dispatch stories and hotel reviews from five different continents. I worked part-time for many, many years before I made the leap to this being a full-time job. For me, things really started to take off when I put out a book that sold well and started a blog to go with it.
2. You have a new book coming out soon…would you share a bit about that with Freelance-Zone readers?
It’s hitting the virtual shelves now, so you can get it at the usual online shops, at Booklocker.com, and soon at the Apple iBookstore. It’s called Travel Writing 2.0: Earning money from your travels in the new media landscape. This is the first guide I know of to address how to actually earn money at this in this time of transition between print and digital media. Besides my own hard-won advice, the book has lots of nuggets from 52 other travel writers and a group of editors and publishers.
3. In your opinion, what are the biggest mistakes writers make when it comes to travel writing?
Trying to publish broad stories about places instead of spending time finding unique angles that have not been covered before. Sure, you read plenty of ho-hum destination stories in magazines that follow a similar script, but what editors really want from new freelancers are unique angles, especially ones that can fit onto a page or less in the print world. The same concept applies to blogging as well: if what you’re writing is not noticeably different from everything else out there, why do readers need you? We’re already drowning in average prose from average writers.
The other big mistake is not having the long-term vision and persistence required to succeed at what is a very competitive field. It can take years to get established as a travel writer, whether on the old print path or a new digital one, so choose opportunities based on what it will do for you long-term, not how big that single check may or may not be.
4. Would you share a career highlight with us?
I can’t pick one because the highlights are two-fold. First, I’ve taken some mind-blowing, amazing trips that either paid for themselves from articles sold or were covered by someone else paying the expenses and to me that’s the real payoff of this job. Writing assignments have taken me to the Galapagos, Peru, Panama, Iceland, Botswana, Hungary, Nepal—and plenty more places. Winning a Grand Prize from the North American Travel Journalists Association was nice. Selling Italian rights to The World’s Cheapest Destinations was pretty cool. But probably the greatest highlight was being able to reach the point where I could pay the bills and support my family as a writer/editor/blogger. I’m proud that I’ve accomplished this mostly because of websites and blogs I’ve created myself from scratch, not from pleading with rotating gatekeepers over and over.
5. What is the best piece of writing advice you have ever received?
One of my high school English teachers told me not to use 20 words when 10 will say it just as well—or better. What’s made me a good writer, more than anything I think, is being good at brutal self-editing.
BIO: Tim Leffel is a full-time freelance writer and the author of several books, including the new Travel Writing 2.0 and The World’s Cheapest Destinations, now in its third edition. He is the editor of the narrative webzine Perceptive Travel, the CheapestDestinations Blog, and the Practical Travel Gear Blog.
by Catherine L. Tully
You may have noticed that BigDif is one of our sponsors over here at Freelance-Zone. Part of our committment to readers is that we provide you with more information about those who advertise on our site so that you can decide for yourself if the product or service is something that might be beneficial to you.
Today we have with us Tom Watson–head of BigDif. He’s going to share some of the types of books that they publish over at their company so that you can get a feel for if this might be a good route for you to go if you are a budding chidren’s book author…or if you know someone who is…
Here’s Tom–
One of the things I really like about what we’re trying to do at this newfangled publishing company is give authors a chance to publish stories that traditional publishers just would be too wary to give a shot. We make the books available digitally in our on-line e-reader. And they can be printed at home. We have about 40 books available now and each one stands on its own in different ways. Here are some of my personal favorites:
Stick Dog Wants a Hamburger is one of our favorite books. It’s written and illustrated by Melissa Phillips. It’s longer form, probably 6,000 or 7,000 words, has a clever voice and here’s what I like the best: The author-illustrator makes a real point of telling the reader she can’t draw. The whole idea that she’s up-front about it is funny the way she pulls it off. Stick Dog’s name comes from the drawing. You know, like how kids – and adults – draw stick people? She draws stick dogs and writes about them.
The Night Before is written and illustrated by Annie Harmon who lives in Texas…. … Continue Reading
First, a confession: I tried the Franklin-Covey/7 Habits routine numerous times in my corporate days, and failed miserably. So, I wanted to bring Getting Things Done: The Art of Stress-Free Productivity to Freelance-Zoners’ collective attention. To me, it is a far better solution for the creative freelancer and the sometimes-squirrelly creative brain that we need to harness on a daily basis—and it is rock-solid when it comes to preventing things from falling through the cracks.
I saw it recommended in the Wall Street Journal a few months back, and it truly changed my way of thinking about organization (no small feat at the age of 42). With the caveat that the best organizational system is the system that you actually use, I think it represents a much better approach than the aforementioned Franklin-Covey route. Here are a few of the reasons author David Allen’s philosophy works for me:
Your mileage may vary, but it’s the best $16 I’ve spent all year. Have you read/implemented Getting Things Done, or are you using an organizational system already that you love? Please share your thoughts with Freelance-Zone readers in the comments below!
When he’s not working on paying gigs for his editorial services company, Boomvang Creative, contributing blogger Jake Poinier can also be found dispensing freelance advice at DearDrFreelance.com or musing on entrepreneurial topics at Jake’s Take.
by Erin Dalpini
Dreaming of becoming a published author? Here’s an avenue you may not have considered—publishing a kids’ book. It’s simple, it’s fun, and it’s free, that is, if you work with BigDifBooks. This up-and-coming company’s transforming the way children’s literature is published, thanks to the marvels of e-book technology and a group of folks committed to sharing great stories with kids.
Tom Watson, founder of BigDifBooks, joined us again to discuss his passion for children’s literature—the inspiration behind his company—and more. (By the way, if you missed our last post on BigDifBooks, check it out here.)
Freelance-Zone: Why did you make a website for kids’ books? Why might a freelance writer want to write a kids’ book?
Tom Watson: The whole idea is to give kids (and parents) access to original stories for very little money–or none at all. I probably wouldn’t have started our company if I wasn’t a parent myself, to be honest. I’m kind of a kids’ book snob. … Continue Reading
By Erin Dalpini
“Have you ever dreamed of becoming a writer but never took it too seriously, because after all, the words ‘starving’ and ‘writer’ are pretty much joined at the hip?” asks freelance copywriter and author Peter Bowerman in his updated edition of The Well-Fed Writer.
Well, have you?
Bowerman’s query brings up the quintessential conflict that faces all freelancers and wanna-bes at one point or another in their careers—how to write away the workday, without having to pinch pennies.
Maybe you’ve already made it past that point.
Great. This book is still worth your while.
Or maybe when you read the opening question, you thought, “Yeah, that’s pretty much me in a nutshell.” That’s even more reason to check out Bowerman’s aptly-named The Well-Fed Writer, in which he shares a slew of industry secrets that will assist you in successfully marketing yourself and your writing.
Compartmentalized into useful chapters such as “Money Matters: How Much to Charge and How to Get Paid,” “Learning to Love S&M (Sales and Marketing),” “Where’s the Business?” and “The Well-Networked Writer,” this book touches on all the fundamentals of freelance copywriting while maintaining the spunk and attitude often lacking in the average guidebook.
I have to admit I was quite skeptical about “commercial” freelancing when I first started reading The Well-Fed Writer. … Continue Reading
Today we have a special feature on a book that will help you become a better editor when it comes to refining your own work. Since this skill isn’t the easiest to master, editor/author Sigrid Macdonald decided to write a book on the subject. Here are the details in an interview with Sigrid…
1. The name of the book is “Be Your Own Editor”, so it’s probably best to start by asking what led you to write this book? Give us a little background and some history behind the inspiration.
I’ve been a writer for several decades. I started out doing articles for political organizations and op-ed pieces for the newspaper. Then I moved on to writing for magazines and finally, I wrote books. After I finished my first book, I was hired by a local company to be a manuscript editor. I knew nothing about editing but I was confident about my skills because I had been writing for so long — that faith in myself was misplaced!
Editing and writing require completely different skill sets. They look and sound as though they should be the same, because in many respects, editing is just like rewriting. On the other hand, writing involves a creative process of putting your ideas on paper, but editing involves the meticulous review of everything you’ve written to make sure that it’s structurally and grammatically sound and accurate.
In the old days, pretty much everyone who wasn’t a professional writer edited his or her own material. For example, most college and university students would never have considered hiring a proofreader or editor to go over their essays.
Nowadays, things have changed. Higher expectations are placed on students by professors in postsecondary education, yet many of the fundamentals of English composition and grammar are not being taught properly in the early years. Many of us are writing on websites, in the blog community or even self-publishing books. No one edits that work, whereas a professional writer can submit an article to a magazine, and the magazine editor will kindly and quickly remove any typos or awkward structural or grammatical problems. Not so when we do these things ourselves. Consequently, we may miss all kinds of redundancies, inconsistencies, misused words or poorly phrased sentences.
Be Your Own Editor is the book I wish that I’d had when I made the transition from writer to professional editor. I wrote it in order to share what I’ve learned about editing. So often, I receive inquiries about my services from people who can’t afford to hire me. That makes me feel really bad because my background is in social work and I want everyone to have access to services. This book is meant for all those talented, dedicated writers or students who can’t afford to hire a pricey editor, and could do a perfectly good job themselves if they put in a little extra time and effort brushing up on the basics of grammar and organization.
2. How did you discover the techniques you recommend in the book and perfect them? How specifically have they contributed to your success?
Many of the techniques in the book are quite simple. I talk about the need for consistency and clarity. I discuss how to compose an essay, blog post, article or nonfiction book. And I go into great detail about frequently misused words such as affect or effect, further and farther or between and among. I discovered all these things by either making mistakes in my own writing or catching them in my clients’ works. … Continue Reading
I know I have mentioned this great resource before, but only in passing. Grammar Girl is a heavy-duty tool for the writer–new or experienced. Mignon Fogarty is the name behind this character, and her “Quick and Dirty Tips For Better Writing” include goodies such as:
These are excellent, bite-sized tips for the writer that can mean the difference between getting a query nod and having the editor hit delete. Let’s face it–in this business, you’ve got to know what you are doing when it comes to grammar and sentence structure.
It doesn’t really matter how you decide to keep up with Grammar Girl. She’s on Twitter and she even has her own podcast on iTunes. A little honesty? It’s the only podcast that I have actually downloaded and listened to on my iPhone.
Naturally, if you prefer a good, old-fashioned book you can go that route as well.
Why am I so excited about this? Well, grammar is huge, and it is usually presented in the most awful, boring format. Grammar Girl gives it to you straight, but in a palatable way, without taking too long to get the point across. I’m a serious fan.
This post was brought to you by FiledBy

by Erin Dalpini
I’m working on a new project—a book review of a contemporary novel I recently read; although I’ve done this before, I’ve been thinking a lot lately about what makes a fantastic book review.
Last fall, when I was doing some research for a review of Toni Morrison’s newest novel, A Mercy, I dabbled around on the Internet to see what others were saying about this book so that I could join in that conversation. I’d already read the book and had formed an impression of it, but I knew I needed to know what the experts thought.
One of the first pieces I found, a review in the The New Yorker caused me to sit up and take notice—it was an engaging, entertaining, and also gave me some new insight into the novel. When I looked for the byline, to my surprise, it was the literary legend John Updike. Updike, though best-remembered for his extensive body of fiction (short stories, novels, poetry), produced an equally-impressive array of literary criticism and essays. In short: the man was prolific. And he had an extraordinary way of making a book review anything but mundane. This piece was sharp, witty, informed, concise—essentially, it was the best book review I’d ever read and it left quite an impression on me.
So, returning to the writer’s block, I was curious: what did Updike have to say about writing book reviews? And what do modern day writers do when they have an obscure question like that?
Right. Turn to Google.
I was fortunate early on to stumble across a post (from a book blog I promptly bookmarked) pointing to hidden treasure: an older post, from the blog of the National Book Critics Circle, citing helpful tips from the master himself (one that’s so dated it redirects readers to the new host that, from what I can tell, does not have the piece archived). The advice is from Updikes’s Picked Up Pieces, a collection of his assorted prose. Three points (of six) I found incredibly helpful… … Continue Reading
J.D. Salinger, author of Catcher In The Rye, has died at the age of 91.
Most writers want to hit it big and milk the cash cow for all it’s worth. Not so in J.D. Salinger’s case; he wrote one novel and a collection of short stories and by 1959 he’d had it. According to Time, Salinger still wrote but never published. After dying at home of natural causes, will any of his unreleased work ever see the light of day?
America has lost one of its most influential (even though profoundly inactive) voices. Catcher In The Rye was required reading for probably 99% of the entire currently active freelance writing world. Salinger was a mystery, but there’s still hope that we’ll get something more to read posthumously by what many describe as the “hermit crab of American letters.”
J.D. Salinger 1919–2010
The wait is finally over. Joe and I were both recently published in the book To Japan With Love, and today I received my complimentary copies of the book in a box–all the way from Hong Kong.
It was a cool moment–I have to admit.
Being published in a travel book is a big deal in the writing world, and I am just thrilled to have two stories in this guidebook. It is my second time getting published in a book, and it is just as neat the second time. Every once in a while it is just fun to share an accomplishment with FZ readers. Thanks for being there…and keep working toward your dreams…they really can come true! (* And special thanks to Celeste Heiter for her great work editing this book–you are terrific!)
I stumbled across this little piece online–”How To Write With Style“ by Kurt Vonnegut, and there is some really good info here. Much of it is simple, but easy to get away from in the day-to-day business of being a writer. (I’m a Vonnegut fan too–which doesn’t hurt.)
Take a minute before you get started today and refresh yourself on some of these guiding principles…
by Joe Wallace
Transparency alert–I have NOT read this book yet. But if it’s ANYTHING at all like Eszterhas’s The Devil’s Guide To Hollywood, which was a rough-n-ready how-to for apsiring screenwriters, Joe Eszterhas Writers On Writing should be a very entertaining, inspirational read.
Eszterhas was the bad boy of Hollywood–he wrote Basic Instinct, Jade, Burn Hollywood Burn, plus the controversial (and insipid) Showgirls. He’s the stuff of legend–telling his employers where to stick it at every turn when they tried to tell him how to do his work (these were not fellow writers, mind you–sound familiar?).
In spite of his wild man status, even the most sainted among us can find some inspiration from Eszterhas for one simple reason–his ultimate philosophy is simple. YOU are the writer, NEVER give up, and don’t let people who don’t know the game tell you what the rules are. That’s the sort of tough-mindedness you need to survive in the biz whether you’re writing for Associated Content or for Stevie Spielberg.
It should be pointed out that this time, Eszterhas isn’t the one behind the pen–he’s being interviewed by Stephen Farber. This book is part of a series by the Writers Guild Foundation, so it’s a bit different in style and tone than Joe Eszterhas’s titles like Hollywood Animal and The Devil’s Guide to Hollywood.
Those of you who follow Freelance-Zone already know that I am a fan of Yolander Prinzel, but what you don’t know is that she is a networking and marketing genius. Frankly, her ability to market is one of her strongest qualities.
Now, I don’t normally endorse e-books. Many of them do not give writers enough concrete information. That said, I think that “You’ve Found Your Specialty–Now What?” is an investment that is worth making–especially if you are a new writer. It can be difficult to network and market yourself strategically, and many new writers spend too much time on forums and social media sites without scoring any real results for their efforts. Prinzel gives pointers that can streamline that process, and does so without being a drag to read… … Continue Reading
What could be more valuable to a writer than a book written from the editor’s perspective aimed right at those they must edit day to day? The Forest For the Trees: An Editor’s Advice For Writers is that book.
Betsy Lerner has a pedigree a mile long–Houghton-Mifflin, Ballantine, Simon & Schuster, and Doubleday, she’s worked for the best and has plenty of war stories to share. These are insider secrets and perspective you owe it to yourself to explore.
Lerner’s excellent advice includes some fun-but-right-on-the-money tips including letting your quirks and bizarre behaviors define you and inform your work. “I’ve come to look at neurotic behavior as a necessary component of a writer’s arsenal.” Lerner says. BRAVO!
She also adds “Too often the neurotic writer who still hasn’t learned to trust his own voice rushes to spill the beans…” Lerner was talking specifically here about story development and letting a piece unfold in its own time, but you get the idea that little aside can inform your work in any number of ways.
This is one book you should make the investment in. The perspective alone is worth a million.