Tag Archives: characters

5 Reasons You Need Another Writer’s Brain

Fiction-Zone: Leaps in Fiction Mastery by Diane Holmes, Chief Alchemist of Pitch University

It’s a mindset.

One of my long-time writing friends flew in for a long weekend of Being a Writer.  It’s not just an event, it’s a mindset.

writinggroup - nadar

You know what I mean?  It’s special when you’re with other writers, brainstorming and talking over the juicy aspects of craft for the sheer pleasure of geeking out on Being A Writer.

Some spouses can do this for us.  Writer stand-ins.  But not many. 

I mean, how many hours can they stay enthralled with the many nuances of point-of-view or the thesis topic “storytelling is essential to human existence”?

Not that many.

Us?  As long as we breathe.

And we’re better for it.  Better in our work, and better in our head, too, which is the source of everything.

Let’s face it; we think for a living. The end result is words on the page (web or print), but the method is all in our heads.

Simply speaking, we are brilliant.

Being brilliant is our stock and trade.

And yet most of us work alone, and it’s darn hard to be brilliant (or feel brilliant) without another writer-brain to ignite the fire.

So, here are 5 reasons you need another writer’s brain

1. The Stillness of Logic

.We can convince ourselves, “sure that works,” when, in fact, it does not.  We have stretched, pulled, and ripped the fabric of credulity, yet we’re clinging to our personal need for ‘it’ (the writing equivalent of ‘x’) to work.

Another writer can throw out the life preserver (‘cause we’re in our own ocean of thought, far, far from shore), and reel us back in.

2. Outrageously Better

There is a point where we have come up with our best.  Our good-as-we-can.  But when placed in the room with another writer, we discuss it like it’s a real thing, except now it’s illuminated by two brains, not just one.  And it’s that simple. 

As we hash it over, we own the entire universe of two brains.  We explore the best thing ever:  new terrain.

You see, it’s not just what’s written.  It’s pretty much everything that has now or ever will exist.  And then… suddenly there’s a doorway to a parallel universe, too. Suddenly, things are Seuss-i-fied.  Oh, the place we’ll go.

It take a fellow traveler to hold the door open for us to see what is hidden and beyond.  Hint, It’s hidden from us.  How can we see it?

And that is how we make things outrageously better.  Normal is our world.  Better is the universe.  Outrageous is what is beyond that.

(I think I’m implying that writers may be time-travel portals, but that’s the subject of another article.)

3. Shoved Off-Balance

Being shoved off-center, losing our balance, is the most creative thing another writer can do for us.

Without realizing it, we fight to keep our sense of level, to keep our writing world plumb.  We seem to automatically make our thoughts “exactly vertical” to fit the narrow parameters of the assignment.

But the best ideas, the ones that captivate readers, are often askew, unexpected, or what we call ‘fresh.’

Another writer can hip-check your thoughts, knock you into new thoughts.  Together, you create writing magic.. (And magic, as we all know, is a juxtaposition to order and reality… or else it wouldn’t be magic.)

4.  Sanity Check

Sometimes you just can’t get a “goodness read” on your writing.  It’s easy to edit and edit and edit, without making anything better.

You need a sanity check, before you destroy your own prose.

And you need a writer for this, because she or he can tell you why, which is often where the sanity is involved.

Does it work or not?  No matter what “you” say, why should I believe you?  It’s in the why.  And we need a why that speaks writer.

It’s one thing to hear, “Yes, this works.” 

It’s another to hear,

“Yes, this works, because it brings a beautiful parallel construction to your opening and ending scenes, and it illuminates the small heartbreaks that accompany survival.  When I read that, I knew your character would survive and had learned that she wasn’t a victim.”

Now, I believe it works.

5. Fun

Okay, you might think I’m a little simplistic here, but the reason we writers write is because we like it.  It’s satisfying and meaningful and challenging, and above all… FUN.

Yes, it’s full of angst.  Yes, it’s the hardest, most grueling thing we’ll ever do, but ultimately, it has to be fun.

Why?

Because no one is asking us to do it.  No one said, “You must go to college and become a writer.  The world can not function without electricians, doctors, police officers, and writers.”

Now we might feel that way.  For many of us it is a calling.  We do hope to make the world better.  But honestly, it’s us driving the career choice, not society and employers.

Frankly, I’ve never heard of a shortage of writers.  Or that we must outsource writing, because there’s so much demand.

* Okay, all you tech writers.  You probably are the exception. 😉

For almost every writer, it is our dream.  Our passion.  Our quest to be a writer.

So, for Pete’s sake, have fun. Cause I’ve got news for you.  Your angst, dreams, hopes, and fears will only sustain you for so long. 

Fun is eternal.

But, it’s hard to generate lasting fun all alone.  Lasting writing fun.  For that, you need another writer. Seriously, who’s going to laugh at that semicolon joke with you?  Or think 10-minute-writing-bursts are a “good time?”  Or believe critiquing and brainstorming = Par-TAY?‘

Yup, you need another writer or 12.  You just do.

And you can quote me on that.

clip_image004Diane writes two alternating columns for Freelance-Zone:Fiction-Zone: Leaps in Fiction Mastery and Marketing-Zone:Marketing-Zone: Marketing Yourself and Your Book.

Best Writer Advice Ever: Push to Add Drama (video)

Fiction-Zone: Leaps in Fiction Mastery by Diane Holmes, Chief Alchemist of Pitch University

This hilarious, 1 minute and 46 second video explains the concept of story.  You don’t have one unless you have zee drama.

 

So, to sum up:

1. Push the button (inciting incident).

2. The characters shouldn’t see this coming.

3. Without ordinary people to be shocked by what happens… everyone’s in on it.  You need ordinary people.

4. Make it worse and worse.

5.  Emotional reactions are key.  Tempers should flare.

6. Marry shirtless men and lingerie-wearing women with action.  Why?  Action is drama.  Clothes and lack of clothes are just interesting.

7.Bad people doing bad things have the upper hand.

8.  You need allies.  It’s good to have someone (or a team of someones) do the right thing.

9. When it’s over, you should leave the reader in a state of WOW.

10. Drama is messy.  It’s not linear and well behaved.  It doesn’t care if you’re ready or not.   Each character has his own goals, and these goals overlap and explode against the goals of others. 

BONUS: Story, drama, life….  It’s theater.  Well-staged theater.  If you  do it right, you’ll leave your audience breathless, shocked, and thoroughly delighted.  You’ll leave them wanting more.

clip_image004Diane writes two alternating columns for Freelance-Zone:Fiction-Zone: Leaps in Fiction Mastery and Marketing-Zone:Marketing-Zone: Marketing Yourself and Your Book.

5 Ways to Wield the Black Art of Reader Temptation (Bored Readers Rejoice!)

Fiction-Zone: Leaps in Fiction Mastery by Diane Holmes, Chief Alchemist of Pitch University

#1  Tempt your readers by paying attention to what they yearn to know next.

It’s never about what you’re trying to do as an author.  It’s not even about your story and what your characters want to do next.

Nope, it’s about creating an effect for the reader, a mental reality, and then caring enough about their reading experience to give them the story they’re hoping you’ll tell.

snake apple

If your reader grows bored, you can’t combat that by explaining what you, the author, need to “have happen in this scene.”  You can’t un-bore the reader by pointing out that your characters have to “be true to themselves.’

But you can solve boredom by  the one big truth:  it’s your job to give readers what they’re interested in.

The good news, of course, is that as a master of writing craft, you build the story in such a way as to shape their thoughts.  Their interests come from the smoke-and-mirrors you control.

#2 Tempt the reader with emotion.

If your characters don’t care, neither will your readers.

But the emotion has to be full of truth, not just a collection of clichéd expressions, not just obvious, one-note reactions.  The world is not easy.  Life takes on weight.  And no one knows themselves in simple terms. 

Readers know this, even if authors don’t.

#3 Tempt the reader with great unknowns. 

Nothing sells a story like the knowledge that there are secrets, lies, mysteries, and  really worthwhile “unknowns” that’ll be powerfully revealed.

Readers read to find out what happens next.  That in itself is a mystery.  The unknown next moment.

Every book is a mystery for the reader.  Or should be.  Otherwise, the reader isn’t even “needed” to help put the pieces together or bear witness to events.

It’s a very subtle, unconscious understanding between reader and author:  the story events require someone—the reader—to make sense of them. 

#4  Tempt the reader with the unexpected.

Readers love story.  But they need authors because they can not imagine the unexpected.  For that, they need you.

Give them the unexpected.  It’s the biggest gift you have as an author.

#5  Tempt the reader with the exceptionally well-observed detail.

The present moment is so fleeting.  It is one of the deepest realizations of being human. 

And try as we might, we can only freeze an instant for observation,  hold it still to capture its power and meaning like a photo forever blurred by motion.  And then it’s gone.

In story, we capture the immortality of human experience with the perfect, well-observed detail, with description that is so authentic it captures emotion and experience as much as facts.

That transcendent ability is the story of being human. It’s our story.  And it’s worth telling.

clip_image004Diane writes two alternating columns for Freelance-Zone:Fiction-Zone: Leaps in Fiction Mastery and Marketing-Zone:Marketing-Zone: Marketing Yourself and Your Book.

5 Secret Passages for Creating Amazing Characters

Fiction-Zone: Leaps in Fiction Mastery by Diane Holmes, Chief Alchemist of Pitch University

I’m so tired of reading barely-average characters thrust into the role of protagonist and flung out on the page as someone to bond with and root for.

I'm bored

I’m done bonding with so-so characters.  And I’m starting to root for their demise.

Yeah, yeah.  They’re relatively nice.  They do the action.  They have details that fill in the blanks of their lives.  But honestly, take away the plot or the goal or the fact that they can turn into vampires or gangsters, and they are barely average at best.

Ordinary to the point of generic Good Guys.

Just faux-actors auditioning for the parts.

Author: “Oh, no, she’s wonderful!  So daring and complicated.  He’s brave and flawed and heroic.”

Ah, no.  You’ve fallen in love with your own imagination.  I assure you, what’s on the page is pretty anti-amazing. 

It’s ordinary.  It’s expected.  It’s pretty darn unremarkable.  Ask me to describe why you’re character would be interesting without the added help of a plot, and you’ll hear me say, “Well, he has brown hair, and, uh, a job as an architect, and he  seems nice to his employees.”

Not. Very. Amazing.

Want to create amazing?  Here’s how:

#1 Create a Character Capable of Amazing Thoughts.

Not talking about illogical thoughts, here.  I’m talking about characters whose minds are just fascinating to behold and explore.

Oddly enough, being wealthy or a vampire or any other “situational” characteristic isn’t that amazing.  Yeah, yeah, you want blood.  Got it.  You’ve got a big mansion, okay.  Quit bragging.

What about the wounded hero with PTSD?  Thinking about stress.  Yeah, seen it.  The teen thinking about hating school?  Boring.

Give us a mental landscape we haven’t see before.

#2 Who Talks About Amazing Things.

If you’re thinking amazing thoughts, then what you choose to talk about and how you embrace the subject should be, uh, amazing, too.  Obvious, I know.

#3  In an Amazing, Singular Voice.

It used to be enough to write the character who said the things we wish we could say if we weren’t so polite. But now everyone is pretty much saying what’s on their minds in all its snarky-glory.

So, that’s not enough. Besides, all snark sound pretty much alike.

Create a character’s voice that is so rich, singular, and amazing, that we readers can’t wait to hear it.  And when the books is done, find we’re accidentally talking to our spouses in that same voice.

It freaks us out and makes us want to read the book all over again.

#4 And Responds in an Amazing, Mesmerizing  Fashion.

Characters are either acting or reacting.  It’s stimulus and response. 

So, dazzle me, baby.  Delight me.  Give me a character whose responses are logical, believable, and yet wholly breath-taking, original, and amazing.

#5 And is Changed in Amazing, Unanticipated Ways.

Let me see what your characters become, how they unfold, and please-oh-please let it be worth watching. 

 

clip_image004Diane writes two alternating columns for Freelance-Zone:Fiction-Zone: Leaps in Fiction Mastery and Marketing-Zone:Marketing-Zone: Marketing Yourself and Your Book.

Gifts of Writing Love: a Valentine’s Gift for Our Writers

No matter what you write, these little gifts of writer’s resources will speak to the heart and soul of your writing life, with  unique, fresh insight (and some rappin’ too).

Career Survival

From award-winning novelist Jenny Cruisie:

Rats with Islands: How To Survive Your Publishing Career

Excerpt:  “My plan was to make this column about the realities of publishing, giving you all a head’s up on what you’re about to face. Then I realized that was a remarkably bad idea.

“Here’s the thing about reality: It’s not good for you.”

Powerful Technique

From Mary Jaksch at Write to Done:

Why Disconnectors Are Critical In Keeping Your Readers Awake A guest post by Sean DSouza of Psychotactics

Excerpt: “Disconnectors create a jolt

“Imagine you’re driving a car. And the highway stretches in front of you straight as an arrow. Mile after mile of the same, same seems to suck you into vortex of yawns.

“Then suddenly you you see a curve in the road.

”The curve is the disconnector

“It’s the thingamajig on the journey that jolts you back to life. You’re all alert. You’re all eyes and ears. And you’re paying close attention.”

Insanity vs. Humor

from LifeHacker:

How to Work from Home Without Going Insane

Excerpt:  “When you work at a location of your choice you can control what distracts you. If you want to work for 4 hours and not use the bathroom you can do it; if you want to work with 2 lbs of nachos taped to your face like a beard while wearing a sombrero filled with nacho cheese for snacking you can do this. Most people think they will be far more productive due to being able to control large blocks of time, but I found that the experience was quite jarring.”

Making the Professional Leap

From Junhax 

The 10 Blogs That Taught Me (Almost) Everything I Know (And Why You Should Be Reading Them)

“I have never let my schooling interfere with my education.” ? Mark Twain

Excerpt: “Truer words have never been spoken.

“I was a failing student before I started my blog; I went to community college just because my parents told me to — yeah, I know, I was one of those guys.

“But when I started my blog, I had a sudden epiphany: I started to read many books (and as weird as it sounds, I used to never crack open a book), I read many blogs, took advantage of newsletters and Google Reader (RSS), and put what I read into action.

“My life from last year till now is a completely different book; I established myself as a writer, I’m about to publish my first eBook, I met many new friends and networked with incredible people, and overall my attitude and mindset became positive. I learned to live frugally, to be content, to stay focused and follow my passion.

“I’m thankful for all the positivity and people that came into my life, but there’s a reason for all of this: I read all the right blogs.”

Making It Yours

Fron LatinaPen 

2011 Best of Writing Articles and a Rap on Writing

 

 

clip_image004Diane writes two alternating columns for Freelance-Zone:Fiction-Zone: Leaps in Fiction Mastery and Marketing-Zone:Marketing-Zone: Marketing Yourself and Your Book.

Why I Prefer Characters To Real People…

I’d like to welcome Mike–an aspiring comedy writer that I met in the Chicago area. He penned a piece for Freelance-Zone readers that we are going to share with you here today…enjoy!    -Catherine

Mike
Mike

“Only when you accept that it is fake can you know that it is real.”

In a world immersed in reality TV, I find myself a cynic. And maybe 23 is too young to declare myself a cynic, but here I stand: cynical.

Is cynical the right word? Skeptical? What’s the right word for someone who thinks everyone is full of it? Irish Catholic? Yeah, we’ll go with that.

Perhaps it’s because I surrounded my high school self with the most dramatic of high school groups–drama club. Or maybe it’s because I’m so over reality TV as of Real World: San Diego. Whatever the reason, I have a hard time trusting people. Can you blame me?

People are performers at heart, driven by motive. When we want things from someone we naturally do what we can do to get it. Guys feign interest in a girl’s story when trying to score at a bar. Babies! Babies know they can get their bottle if they just cry a little. It’s friggin’ primal, man! It’s hard to cut through the superficial surface of a person to get to their pure, true feelings. How can you know if you’re getting the real deal?

If they are not real. Continue reading Why I Prefer Characters To Real People…